wild plants queer landscapes

2017-2023



Volunteer plants penetrate harsh landscapes, thriving under conditions of poor soil and post-industrial waste. These spontaneous plants blanket spaces of transition by creeping into slivers of dirt and emerging year after year, far from their places of origin. Wild plants are often labeled as “weeds” or “invasive,” yet, they are opportunists that queer the urban landscape.

As part of the Vera List Center Prize for Art and Politics 2016-2018 and as an extension of the exhibition Maria Thereza Alves, Seeds of Change: New York—A Botany of Colonization, WILD PLANTS, QUEER LANDSCAPES was a series of weed walks that explored the connections between Maria Thereza Alves’ work and  New York City’s weedy landscape. 

Each walk explored a site relevant to the movement of ballast through New York City’s ports. At the Western Rail Yards of the High Line, we explored areas where gardeners left “existing self-seeded plantings, celebrating the urban landscape that emerged on the High Line after the trains stopped running in 1980”.

During a one-mile walk in the Weeksville neighborhood of Crown Heights with artists Andrea Haenggi and Ellie Irons of the Environmental Performance Agency, we collected seeds around the Weeksville Heritage Center, a site where James Weeks, an African American stevedore  purchased the land in 1838. 

In Red Hook, Brooklyn we explored the former ballast dumping site of Atlantic Basin, where introduced and original salt-loving marshland plants still thrive near the New York Harbor’s edge, in cracks along sidewalks and beneath sewers.

Press & Links

A ballast weed walk at Atlantic Basin / Red Hook, Nov 12, 2017

SEEDborder CrossWALK in Crown Heights with Ellie Irons and andrea haenggi, Nov 19, 2017

Photo essay published in Seeds of Change, Amherst College Press, 2023

Essay featured in Toward a Common Survival at Gas Gallery and Prairie Chicago, The Institute of Queer Ecology, 2018

Presentation at The Vera List Center Prize for Art and Politics 2016-2018: International Biennial Prize Conference, 2017: Seeds as Storyteller/Witness, November 2017